In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.

说教打不通核心，表态浅尝辄止，眼泪不是武器，男权依旧横行。不过没关系，场景太美，一如第十话女主的梦境，那一日何时来，谁都不知，但仍然可以期许和努力。有问题的，一手抚大 阿司匹林 PO从来都不止你和我而已。三星半。

脑动，心动，鸡动。@cgv清潭

最近看了很多亲子关系权力关系下的影片，女主的演绎真的非常令人动容。虽然复仇的犯罪剧情并不完美，但是对于那个即使活着每天都像活在那天晚上的女孩来说，一手抚大 阿司匹林 PO正是母亲的复仇，带来重生的希望。

是一部画面唯美的电影，在寒冷的冬季很暖心也很治愈，很少在大屏幕上看动漫，不仅适合小朋友看，也适合大朋友，幸福的童年治愈一生，猪迪克有豆包这样的玩伴，真是让人羡慕，对小朋友也很有教育意义，要勇敢面对生活，而不是选择去逃避。